Should you write with Claude Opus 5 (max) or Gemini 3.1 Pro (default)? On this page the only thing that changes is the model. Both wrote their own version of the scripts behind 10 of my What's AI videos, five drafts per script, and three judges from three model families scored every draft blind, with my finished script as the reference. Claude Opus 5 (max) leads overall, 89.4 to 80.1. Heads-up: Claude Opus 5 (max) shares its model line with one of the three judges. The panel spans three model families, so no model here is scored by its own family alone (how the panel works).
Saving money makes very little sense in this pair. Gemini 3.1 Pro (default) costs about fourteen cents per script and Claude Opus 5 (max effort) about twenty-nine, so fifteen cents separates them. The scores are another story: #94 against #8. Voice is the big one, about eleven points behind on Tone & Voice Match, the heaviest metric in the rubric, and Length Adherence trails by nearly ten. Gemini is faster, but it doesn't take a single metric off Opus in this pairing. For fifteen cents, I'd take Opus every time.
Pick Claude Opus 5 (max effort) for a far better script at about fifteen cents more.
Pick Gemini 3.1 Pro (default) if your pipeline already runs on Gemini and you'll rewrite the voice.
Overall vs Elo. Overall is the weighted rubric score. Elo compares each model's five-draft average with every other model's, script by script, and counts gaps inside run-to-run noise as draws, so it rewards winning often and can disagree with overall. My own scripts score 90.9 on the same rubric, not a literal 100. Right now 2 of 167 ranked configurations reach it. A model above that line writes at that level on this rubric. That's not the same as beating my script line for line.
Reading the Elo intervals. Each 95% range comes from resampling every model's recorded run scores on each task and re-ranking. Comparing these separate ranges does not test the Elo gap between two models: far apart is strong evidence, and overlap isn't a tie. The tasks stay fixed, so the ranges say nothing about new tasks (the long version).
Blue is Claude Opus 5 (max), orange is Gemini 3.1 Pro (default), and the solid bar takes the metric. The weight under each name is how much it counts toward the overall. Weighted by how much each metric counts, Tone & Voice Match does the most to put Claude Opus 5 (max) ahead: it leads there by 11.0 points. If you care about one thing, say voice or length, go straight to that row.
Quality is half the decision. The other half is what each script costs you, how long you wait, and how often you get a bad draft. The lead has a price: Claude Opus 5 (max) costs about 2.0x as much per script as Gemini 3.1 Pro (default).
| Claude Opus 5 (max) | Gemini 3.1 Pro (default) | |
|---|---|---|
| Overall / 100 | 89.4 | 80.1 |
| Writing Elo | 2354 | 1465 |
| Score spread across drafts (± overall std) | 1.190 | 2.580 |
| Cost per script (USD) | 0.293 | 0.143 |
| Avg time per script (min) | 2.2 | 1.3 |
| Open weights | No | No |
Green wins the row, and for spread, cost and time, lower wins. Cost is one script at recorded list prices, uncached and without judging, so your real bill will differ. Spread is how much the overall score moves across a model's drafts, and time is the average time to get one accepted script, retries included.
Want the script-by-script detail? Full scorecards: Claude Opus 5 (max) · Gemini 3.1 Pro (default). The whole scoring pipeline is on the methodology page.
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